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Quality or Quantity
The ceramics teacher announced on opening day that he was dividing the class into two groups. All those on the left side of the studio, he said, would be graded solely on the quantity of work they produced, all those on the right solely on its quality. His procedure was simple: on the final day of class he would bring in his bathroom scales and weigh the work of the “quantity” group: fifty pound of pots rated an “A”, forty pounds a “B”, and so on. Those being graded on “quality”, however, needed to produce only one pot — albeit a perfect one — to get an “A”. Well, came grading time and a curious fact emerged: the works of highest quality were all produced by the group being graded for quantity. It seems that while the “quantity” group was busily churning out piles of work — and learning from their mistakes — the “quality” group had sat theorizing about perfection, and in the end had little more to show for their efforts than grandiose theories and a pile of dead clay.
Unendurable line
It expresses how things change from A to B when a parameter exceeds a certain value.
The theme is various thresholds hidden in everyday life.
How To With John Wilson: Anatomy of a Scene
I love that they subvert the whole thing. Nathan Fielder is amazing.
6 tips
Mike Birbiglia’s 6 Tips for Making It Small in Hollywood. Or Anywhere
“One thing you have to offer in your work is yourself.” I disagree. I think it’s the only thing.”.
David Fincher’s Impossible Eye
Another close friend is the filmmaker Steven Soderbergh, who told me about visiting Fincher during postproduction on his 2002 thriller, “Panic Room.” Soderbergh described the scene this way: “David had a laser pointer out, and he was circling this one section of a wall in the upper part of the frame, saying, ‘That’s a quarter of a stop too bright.’ I had to leave the room. I had to go outside and take some deep breaths, because I thought, Oh, my God — to see like that? All the time? Everywhere? I wouldn’t be able to do it.”