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How To With John Wilson: Anatomy of a Scene

I love that they subvert the whole thing. Nathan Fielder is amazing.

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Art, Awesome Matthew McDonald Art, Awesome Matthew McDonald

Monolith

I love that this was found and that basically nothing is known about it.

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Quote, Inspiration Matthew McDonald Quote, Inspiration Matthew McDonald

6 tips

Mike Birbiglia’s 6 Tips for Making It Small in Hollywood. Or Anywhere


“One thing you have to offer in your work is yourself.” I disagree. I think it’s the only thing.”.

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Interesting, Inspiration Matthew McDonald Interesting, Inspiration Matthew McDonald

David Fincher’s Impossible Eye

Another close friend is the filmmaker Steven Soderbergh, who told me about visiting Fincher during postproduction on his 2002 thriller, “Panic Room.” Soderbergh described the scene this way: “David had a laser pointer out, and he was circling this one section of a wall in the upper part of the frame, saying, ‘That’s a quarter of a stop too bright.’ I had to leave the room. I had to go outside and take some deep breaths, because I thought, Oh, my God — to see like that? All the time? Everywhere? I wouldn’t be able to do it.”

So detail oriented.

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Monster Wolf Robot

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Green Jackets

With the exception of the reigning champion’s blazer, which can go home with a winner until he returns it for safekeeping the next year, no jackets are permitted to leave the club’s grounds, at least according to Augusta National’s lore.

That has cultivated a widespread belief that almost all of those tailored symbols of golf history — presented annually to winners since 1949 and so renowned that a club official once publicly compared their status to the Statue of Liberty — are confined to several hundred cloistered acres of east Georgia.

I first learned about green jackets in golf from Happy Gilmore. But traditions like these always interest to me.

Augusta’s Green Jackets: For Winners, Members (and Buyers) Only

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Art, Photography, Inspiration Matthew McDonald Art, Photography, Inspiration Matthew McDonald

Photos of 1960s TV sets

Great series by Lee Friedlander. Featured in the NYT

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